The Emotions of Internationalism: Feeling International Cooperation in the Alps in the Interwar Period. “Emotions in History” series (eds. Ute Frevert and Thomas Dixon). Oxford: Oxford University Press, 2020 (published 10 December 2019).
“The Aesthetics of Internationalism: Culture and Politics on Display at the 1935–1936 International Exhibition of Chinese Art,” Journal of World History 26, 1 (March 2015), 105–137.
“‘Beauty has ever a healing touch’: Visible Internationalism at the 1927 Exhibition of Flemish and Belgian Art in London.” Contemporary European History. Published online open access (15 June 2022) https://www.doi.org/10.1017/S0960777322000303
Chapters in Edited Volumes:
“Branding Internationalism: Displaying Art and International Cooperation in the Interwar Period.” In Carolin Viktorin, Jessica C. E. Gienow-Hecht, Annika Estner, and Marcel K. Will, eds. Nation Branding in Modern History, New York: Berghahn Books, 2018, 79–100.
“Images from the 1935–1936 International Exhibition of Chinese Art in London.” In Carolin Viktorin, Jessica C. E. Gienow-Hecht, Annika Estner, and Marcel K. Will, eds. Nation Branding in Modern History. New York: Berghahn Books, 2018, 266–273.
“The ‘Hydrologist’s Weapons’: Emotions and the Moral Economy of Internationalism, 1921–1952.” In Sara Graça Da Silva, ed. New Interdisciplinary Landscapes in Morality and Emotion. London: Routledge, 2018, 140–152.
“Emotions and Mountaineering for International Purposes: The case of the Union Internationale des Associations d’Alpinisme (UIAA), 1939–1951.” In Marco Armiero, Roberta Biasillo, and Stefano Morosini, eds. Rethinking Geographical Explorations in Extreme Environments: From the Arctic to the Mountaintops. London: Routledge, 2022, 9–21.